Pre-Order: Lee Konitz & Marsh,Warne * Lee Konitz With Warne Marsh [180 Gram] Vinyl it's a remarkable representation of

it's a remarkable representation of what Keith Emerson summarized in a period interview as 'progressive rock with a lot of regard for the past

Pumped Up Kicks (FOSTER THE PEOPLE) 4

Why Am I Treated So Bad

he balanced respect for what had been built with a fresh musical identity that reflected the show's new era

Pre-Order: Lee Konitz & Marsh,Warne * Lee Konitz With Warne Marsh [180 Gram] Vinyl it's a remarkable representation ofIn June 1955, in the Atlantic studio, standards provided the starting base for the long and wonderfully sophisticated improvisations by Lee Konitz and Wayne Marsh, who were at that time pupils of the great Chicago maestro Lenni Tristano. Although the numbers are declared as own compositions, such as "Background Music" and "Ronnie's Line", they are actually none other than adaptations of "All Of Me" or "That Old Feeling" but at the very highest level.